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July 17-August 25, 2026

LOCAL ROOTS

Sponsored by Roots International Art Project

Elizabeth Addison & Marguerite Elliot, Co-founders

​​

🥂 RECEPTION 🥂

Saturday, July 18, 11 2-4 PM

Unique small works will be available for purchase ONLY at the reception

Lite bites and libations!

Exhibit Hours: Monday-Friday, 9:00 AM - 5:00 PM

San Pablo Community Center

Art Exhibitions 

2450 Road 20 

San Pablo, CA 94806 

www.sanpabloca.gov/artexhibits

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May 3-30, 2026

FLOW & ROOT - WATER, MEMORY, PLACE

A Solo Exhibition

O'Hanlon Center for the Arts, Mill Valley CA​

Opening Reception: Tuesday, May 5, 5:30-7 PM (Mill Valley First Tuesday Artwalk)

Artist Tour & Talk: Friday, May 15, 11 AM, RSVP HERE

Artist Reception: Saturday, May 16, 3-5 PM

My newest prints and dimensional works are created with a hybrid process that integrates digital and traditional printmaking with kirigami elements. I cut shapes directly into the print and fold them open to reveal colorful, often iridescent, substrates beneath. My phthalo-forward palette is intentional. The Smith River's waters range from emerald, phthlo turquoise to cobalt, revealing an undercurrent of spirituality, vitality, and presence. These works, and my broader Smith River series, reflect an ongoing exploration of freshwater systems as living beings—dynamic, threatened, and enduring. 

View Online Catalog HERE

Purchase Print Catalog HERE

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Addison_Elizabeth_Pattern Language 2_digital imagery, monoprint, paint with kirigami eleme

Pattern Language II (detail), digital imagery, monotype, stencil, and paint with kirigami elements, mounted on round cradled board, 16 x 16 x 1.5 inches, 2025

April 3-30, 2026

LUMINOSITY: THE GLOW FROM WITHIN

Curators: Laura Abrams and Robert Abrams

Abrams Claghorn Gallery, Albany CA​

Reception: Friday, April 11, 2-4 PM

Luminosity is defined as “full of or emitting light; bright or shining, especially in the dark.” Artists were challenged to create incandescent, illuminated artwork, whether through materials, literal lighting elements, and stories that radiate spirituality, resilience, power, and charisma. Nineteen artists lent their talents to works in delightfully diverse media–glass, ceramics, painting, and drawing – with figurative and abstract forms that emanate inner glow. We seek light to get us through dark times. Light leads the way. 

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You Know I Hate Cute (detail)original digital imagery, found imagery, artificial flowers, and found objects, 15 x 12 inches

April 11-May 9, 2026

DETOUR - A COLLAGE-A-RAMA EXHIBITION

Arc Gallery, San Francisco CA​

Reception: Friday, May, 7-9 PM

Closing Reception: Saturday, May 9, 12-3 PM

The medium of collage explores how our perceptions can constructively change over time.  Artists manifest new stories from old scraps that reflect the fleetingness of nostalgia.  Accumulated and manipulated bits of memorabilia and ephemera serve to compose the indefinite, continued progress of existence. It’s a practice of synthesis where images and materials from the past are placed together to create a new whole - manifesting our present and pointing ideas towards the future. 

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Addison_Elizabeth_Already_orig digital imagery, monoprint, stencil, iridescent foil and pa

Already (detail), digital imagery, monotype, stencil, and gold foil with kirigami elements, mounted on round cradled board, 6 x 6 x 1.5 inches, 2026

March 3-April 2, 2026

FEM-minis - AN NCWCA JURIED EXHIBITION

Curator: Christine Cianci

Jurors: Sawyer Rose, Madi Toloui, Sandra Yagi

San Francisco Women Artists Gallery, San Francisco CA​

Reception: Saturday, March 7, 2-4 PM

Online Artist Talk: Thursday, March 12, 7-8 PM

Already, my petite, but cosmic, dimensional print is one of 59 works featured. Here’s a detail showing where I cut into the print and lift shapes to reveal glimpses of golden iridescence. FEM-minis, an NCWCA juried member exhibition, encompasses themes related to women or female-presenting persons: the female figure, femininity, feminism, children, dismantling patriarchy, the lived experience of female-identifying persons, suffrage, reproductive rights, and the struggle against or within the bonds of gender roles. It is also about claiming the space to simply be who you are. It’s inspiring to see what artists created and how they worked within the 6 x 6 inches limitation!  

Online Gallery/Store

Order Your Print Catalog

Addison_Elizabeth_Fervid-Obsession series_14 x 14 x 3 in_original digital imagery, paint,

February 3-27, 2026

PASSIONATE PALETTES - AN ALL BAY AREA JURIED EXHIBITION

Juror: Mirto Golini, Bay Area Artist and Curator

San Francisco Women Artists Gallery, San Francisco CA​

Reception: Saturday, February 7, 2-4 PM

February is the month to fall in love with color! Passionate Palette Artists were asked to submit works that are lush, vivid, and saturated with hues and intense emotions. Two of my works, You Know I Hate Cute and Fervid were juried into this vibrant exhibition. You Know I Hate Cute is pictured here. It's a collage incorporating printmaking, painting, found objects, and comic book imagery. 

Fervid (detail), original digital imagery, paint, handmade papers, 14 x 14 x 3 inches, 2023

Addison_Elizabeth_Resistance 1-Upwelling_Original digital imagery, monoprint, stencil moun

January 17-February 22, 2026

111th ANNUAL MEMBERS' SHOW

CALIFORNIA SOCIETY OF PRINTMAKERS

Piedmont Center for the Arts, Piedmont CA​

Reception: Saturday, January 24, 1-4 PM

I am honored to be a new member of the California Society of Printmakers(CSP). I have long been an admirer of their annual members’ exhibitions, and I’m thrilled to be part of this year’s show at the Piedmont Center for the Arts.

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Upwelling, original digital imagery, monotype, stencil, and acrylics on 100% cotton rag paper with kirigami elements, mounted on cradled panel. 14 x 14 x 1.5 inches, 2025. 

Addison_Elizabeth_Oscillations 2_original digital imagery (Smith River), acrylic paint_16

January 6-26, 2026

ANNUAL MEMBERS' SHOW

O'Hanlon Center for the Arts​, Mill Valley CA​

Reception: Saturday, January 10, 4-6 PM

O'Hanlon Center for the Arts in Mill Valley presents its annual Members’ exhibition, opening January 6, 2026. I would be delighted to see you at the in-person reception and artist talk.

See the Artists' Talk video HERE

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Oscillations II, original imagery and acrylics on 100% cotton rag paper with kirigami elements. 20 x 20 x 3 inches framed in shadow box, 2025. 

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October 11-November 7, 2025

DIA DE LOS MUERTOS 2025: WE LOVE YOU

Curated by Rio Yañez and Bridgétt Rex

South of Market Cultural Arts Center, San Francisco

Friday, October 10, 6–9 pm: Unveiling and Opening Reception

Friday, November 7, 6–9 pm: Closing Reception & Drag Show

Meeting the Moment, my installation created in collaboration with Juliet and Dean MacCannell, honors René Yañez’s masterwork—more than two decades of curating Day of the Dead exhibitions at SOMArts. I am honored to be included in this year’s curated line-up with a project so close to my heart and the hearts of my colleagues—long-time SOMArts Día de Los Muertos exhibitors and friends of René.

 

Enter a Mayan arch guarded by Ix Chel and Kulkulkan, deities of creation and transformation. The interior contains a tribute to René Yañez and the creative community he nurtured. Continue to three panels presenting a timeline (c. 2000–René’s passing), where René’s Día de los Muertos themes are placed in dialogue with local and global events—revealing his deep attunement to the moment within the larger arc of time ​

For details, click HERE

Check out KQED article HERE

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Photography by Claire S. Burke/KQED

Addison_Elizabeth_Wabi Sabi 1-Stillpoint_Driftwood, sepentine with pyrite crystals, pearl,

October 11 & 12, 2025

SAN FRANCISCO OPEN STUDIOS AT ARC GALLERY

Preview Reception: Friday, October 10, 7-9 PM, 2025

Arc Gallery, San Francisco

I’m thrilled to be back for my third year at Arc Gallery’s SF Open Studios! This year I’ll be debuting fresh mixed-media 3D works, my Hills series hybrid prints, and new water-inspired dimensional mandalas. Stop by to say hello, linger a while, and explore both new creations and longtime favorites. I’ll also have gift-ready small works, note cards, and a print bin—perfect for collectors and art lovers alike.

For details, click HERE

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Stillpoint, Wabi Sabi series. Mixed media: driftwood and serpentine sourced from the Smith River, pearl, acrylic paint, copper chain, original digital imagery. 13.25 x 13 x 9 inches, 2025.

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© 2026 by Elizabeth Addison

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